Spirituality, Sitting, and Stillness

Sometimes I find everything and nothing in the same place.

As I sit on the porch of my coffee shop, on a cool and overcast morning, sipping a pistachio latte earned by ten coffees[1], I’m thinking about how I sort of fit the stereotype of the “Reformed” “Calvinist” Guy. I have tattoos and a beard (sort of), wear skinny jeans and big glasses, read Puritans and watch R-rated films, use strong language and brew stronger coffee, and of course I drink (yes often craft beer) and smoke (yes usually a tobacco pipe). I’m not really an RCG though, because, for one, I’m lowkey Arminian[2], and two, I don’t think anyone wants to date a real RCG.

This is where I curtail discussion of Calvinism vs. Arminianism. You’re welcome.

And so here I sit, watching the cars go by and listening to the shop’s very nice playlist and greeting the friendly baristas and reassuring myself I’m not an RCG, and I’m thinking about how overwhelmed I’ve been by the kind words I’ve received from so many people since my post about the beauty of walking around received a second life when a local artist painted his interpretation of a picture I took for that piece. And as I think on these things, I’ve decided to undertake writing something similar. Which, of course, is not about walking, but about sitting. Because I really like walking. And I really like sitting.

Sitting. Like I do so often. But do better some times than others.

I am sitting – or was sitting – on the patio in the back yard of the house I grew up in, doing those very RCG activites of drinking a craft beer and smoking pipe tobacco. Alone in the evening, the house empty besides my parent’s yappy dogs, who are – mercifully – being quiet. The air is warm and still, birds continue singing but it’s late enough that crickets are too. It’s an evening for cool sips of ale and the languid unfurling of smoke. It’s an evening to let the mud settle and see myself in the clear water, to find that water reflecting whatever passes overhead, untroubled by anything I brought with me to the edge.

I’m in the balance – the balance between a long journey and a new beginning, between anxiety and apathy, between mastery and monotony. This space is unstable, and the deck pitches and sways as I lash the helm into the teeth of a nor’easter and rush to let down more sail, only to find I’ve entered the doldrums. Still, balance is what I need. I need to see it, to feel it, to find it no matter where I am. But some places make it easier to perceive this delicate energy which courses through the universe. Places like the patio in the back yard. And, so sitting here, in the midst of flitting birds and racing rabbits and climbing squirrels and sacred trees and open sky and sleeping dogs, I pursue balance sitting still.

Breathe in. Flame. Heat.

This is Yin.

Breathe out. Spirit. Smoke.

This is Yang.

I’m tired. More and more, these days, I reach the end of the day emptied of the energy which used to course through me like electricity. Living can be really heavy. The obstacle is the path, which is reassuring but also exhausting. I will eat something soon to feel restored, but not just yet. There is a space for wisdom as well as weakness in an empty stomach.

Sip. Swallow.

Om.

Bitter. Smooth.

Om.

Light. Heavy.

Sometimes when I sit in prayer, my thoughts suddenly veer off or crash through some soundproof barrier which threatens to drown out a holy conversation. Some force within or without acts to block this connection, the opening of chakras and Trinitarian communion. I feel this same threat of haste, this same incursion of worry, when I sit on the patio. Sitting can be hard work. It’s hard to sit with proper posture to save the back and neck and hips, harder still to sit and resist the temptation to be somewhere else, racing after tomorrow’s possibilities, backtracking to today’s failures, or shooting up a rechargeable mobile drug. I’m in an unhurried space, where the birds and beasts and the sky and trees move in a delicate balance. Even beyond this sanctuary, the cars roaring across the distant highway bridge and the hum of an evening lawnmower and the percussive bark of a neighbor dog fit into the greater mosaic, and when I reach out I can see the thousands of people so nearby coming and going melt into the flowing stream which goes on and on. Of course, some of these animals are endangered, some of these cars will crash, some of these people weep, and yet the chaos is still knit together with some unspoken order.

But even as this balance plays out around me, even as I can feel myself grow into it, something – something – threatens to shatter me.

Is this why we can’t sit still? Is this the impetus for distraction, for altered states, for virtual spaces? Is this why we can grow bored of the sacred and blind to the spiritual? Is this why we clock in and clock out for the sake of profit margins and call it freedom? Is falling the only alternative to climbing?

It’s a something that could be anything. I might reassure myself of a hundred different things, and then something so small and insignificant lodges itself and festers. It threatens to upset the balance, to chase me into flight, to make me hurry to some false promise of safety. Telling me to walk faster, even though the rain is everywhere.

I strike a match.

Spark. Flame. Heat. Life unbounded.

Breathe in.

This is Yin.

Breathe out.

This is Yang.

Deep breath. Sigh. Sip. Swallow. Blink. Blink. Eyes closed. Eyes open.

And then I see it. Passing from over my left shoulder across the patio and away. A monarch butterfly. Floating and gliding, everywhere and nowhere at once, a living canvas, an orange ocean with black and white flickered songs[3]. And it takes my breath away. My eyes glow and the knot in my chest is undone and the river runs clear. The monarch alights on the limb of a lilac for a moment, a moment that might as well last a lifetime, and then embraces the air once more and is gone.

It is gone, but the moment remains. And moments like this extend forever because they are nowhere in the course of time. Time is no longer of the essence, it’s free of commodification and divested of its authority. And creation speaks in this language not so concerned with reaching punctuation.

This evening eventually ends. I did eat a dinner[4]. And, actually, the peace did not last. The dogs started barking again. I remembered the things I had to be stressed about. I began to strive after wind and grew fearful of the lion in the street. Such is the struggle for balance, the imperative to continue to preach to oneself. The temptation is to meet this failure with a redoubled effort, to chase after some antidote, to close my eyes tighter when I pray, to insist on artificial solitude, to grasp at some sort of salve. True, sometimes the answer is to live, to live with all our might, to run in such a way that we might win, but this is, again, the balance. To know how to fight and how to surrender, to run and to rest, to speak and to listen.

God moves through the unexpected and unlikely, through mind-blowing coincidences and against-all-odds moments of shock and awe, but for as much as we might feel God speak in the gusts of a sea-change, I believe God speaks to us still more in the gentle breeze in the leaves and the hum of a bumblebee in overgrown Russian sage. God was not in the strong wind which broke rocks, or the earthquake and fire which followed, but rather in the still small voice which reached Elijah outside the cave on Mount Horeb.

My life is changing again. It does that every few months these days. And as I worry about food, drink, and clothing, I have to continue to go down to the water to sit and be still and consider the lilies and the ravens. I must take action through inaction and find wisdom in not knowing.

When I wrote about walking, I was talking about walking, and I was also talking about awareness. I was writing about me and my world and my own personal pain, and I was talking about you, too. I’m doing the same thing now. You should literally sit and listen and be meditative, but this is about more than how to spend your evenings. I’m working through my own anxiety and uncertainty, but I hope it makes you look inward, too.

And then maybe someday we will sit together in the flooded ruins of Isengard and share smoke and stories in the stillness of the evening. Sometimes the sacred is found in silence and whispers; it’s found in the voice of companionship, too.

Until then –

Forth now, and fear no darkness.

Soli Deo Gloria

– Peter[5]

 

Notes

1 It’s a damn good latte. 10/10 would recommend.
2 Arminian, like the Dutch theologian, not Armenian, like the Kardashians.
3 That last part is straight from a Zach Winters song called “Monarch.” I will reference him again later when I write about going down to the water to sit and be still.
4 Leftover rice and ham and it was one of the best-tasting meals I have eaten in my entire life. This is part of the wisdom in drinking and smoking (in moderation) on an empty stomach. Don’t say you don’t learn anything reading this blog.
5 I’m not still sitting on the porch at my coffee shop, if you were wondering. That was days ago. I can’t spit these things one take like Jay-Z and Mozart.

Look What You Made the Academy Do

We demanded the Oscars try to be more relevant. I don’t know that we’ve earned that right.

The-Oscars

If you hadn’t heard, a few changes have been approved for the 2019 Academy Awards and the Oscars awards show. The show will be shorter, some of the tech awards will not be aired live, and – most significantly – the Oscars “will create a new category for outstanding achievement in popular film.”

Some excellent pieces have already been written about the Academy’s struggle with relevancy and ratings, and this ongoing dilemma joins recent controversies about fair representation of the work of minorities in film. The Academy is, without a doubt, flawed, and while at times popular opinion and critical consensus have smelted a little golden man which is apparently much heavier than some recipients were expecting, the Oscars has the age old problem of not being able to say no to artistic renderings of fish sex.

But it’s worth considering what part we play in this. Because, as out of touch as the Academy appears to be at times, this push for relevancy and popularity is just as much an indictment of the viewing public at large. Perhaps the Oscars is disconnected from its audience, but so too is the audience failing to connect with the Oscars.

I know this because the Oscars is that special night where everyone roots for the two films they’ve seen, scoffs at the ones they haven’t, and rolls their eyes at the Hollywood elite and artsy liberals.

And then the next week they have family movie night and no one knows what to watch as they scroll through Netflix’s confusing and poorly-curated menus. If they all agree, it’s probably on a Marvel movie or another blockbuster. If they don’t, either someone proposes a comedy which ends up being too raunchy for either the eldest or the youngest, or someone suggests a film on the recommendation of “someone” who wrote “something” “somewhere” and it turns out to be a trash film that just happens to champion a certain religious or political worldview. Anything “sad” will be vetoed. Perhaps most likely, they forego a film to watch a few more episodes of a series they know they can rely on.

It’s little wonder that younger people are drawn to TV over movies, older people will say they don’t make movies like they used to, and Hollywood will continue its land grab for bankable intellectual property (IP).

And so the public goes on to mock the indie films and awards season darlings that get Oscar noms and nods while also being dissatisfied with what qualifies as popular film outside of a select few franchises. Do you see where this might not be the Academy’s fault? Perhaps the problem with the Oscars is not that the awards show fails to cater to popular opinion, but that popular opinion is so porous and predictable that any show awarding excellence in film would implode if based in earnings over excellence or even buzz over beauty.

The perception that the Academy is out of touch with the viewing public perpetuates a lethargy when it comes to seeking out new films to watch, and this new award recognizing excellence in popular film will only make this false dichotomy worse. There are, it seems, two kinds of films in the culture’s imagination: artsy Oscars films with billboards and fish dicks and popular blockbusters with starships and superheroes (that the people complaining probably never went to go see either). Viewers become frustrated either because they don’t “get” the one kind or because they aren’t interested in the other.

But these are not the only options when it comes to movie viewing. There are dozens of truly fantastic films released every year. Only ten can get nominated for Best Picture, and only a handful of those really get much buzz, and often (though not always) they are not among the highest-earners. The zombie hordes of moviegoers who only come out to feed during Oscar season and are attracted to the smell of box office reports are bound to miss out on these, either because they spit upon their status as arty films or because they flat out don’t ever hear about them. But these movies are still there to be seen. Even if they don’t take home a trophy. Or make a splash at the box office. Or fight their way through witty comedies, cooking shows, and stand-ups to appear on the hallowed “Trending Now” of Netflix. There are quality films released all the time that we can watch, quality films that can deepen our appreciation of film and move us to seek out other films like them. But people are too lazy, it seems.

I’m not. I don’t want to give myself too much credit, but I’m really, really good at suggesting movies for family movie night, and I’ve made an absolute killing on these films that go largely unnoticed while occasionally leaning right into the arty award-winner which no one watched: Paterson, Lady Bird, The Big Sick, Moonlight, Manchester By The Sea, A Man Called Ove, Goodbye Christopher Robin – all recent films which my family thoroughly enjoyed, but might not have ever heard of, let alone sought out, if I hadn’t made the suggestion. I absolutely love that they continue to trust me, but it says something about the movie-watching culture that these movies were more or less not on their radar.

We can already see how this is going to work out in 2019: a film like First Reformed is going to be the award-season darling, and for one reason or another the masses will scoff at this little movie that no one went to see getting so much attention; Black Panther will be recognized for its excellence as a “popular” film, and many will be unmoved by another superhero movie, especially one that doesn’t speak to their….economic anxiety. But, among those ten nominated films, there will be Annihilation, a film which *nobody* watched, which will be given some credit by way of a nomination, but which will still go unwatched because the same people who reject elitist award-season films will assume it’s not worth seeing because no one has seen it. The Academy makes its mistakes, but it’s a tough crowd.

It’s no secret, of course, that the best of anything rarely gets its due credit. Comedians, authors, musicians, athletes – often times the best are not the most popular or the most awarded. Yet, if the Grammys has shown us anything, it’s that an awards show cannot be taken seriously if it completely ignores popular opinion (it’s a bad joke at this point). But, in the case of the Oscars, it’s damned if you do damned if you don’t: The Academy can’t keep nominating Room over Straight Outta Compton, but pandering to the opinion of an ill-informed viewing public will rot the institution entirely. The point of the awards will be lost, and probably without any gains in ratings.

The Oscars may be the film awards show, but it’s important to remember that it is only that: an awards show. It means something, but our film opinions and Netflix selections should not be dominated by one institution. At the same time, we should not let our opinions demand what that definitive awards show must look like.

The Oscars needs to change, for its own sake, but these proposed changes make it seem like it’s changing for our sake.

And I don’t think we’ve earned that.

Forth now, and fear no darkness.

Soli Deo Gloria

Peter